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Plastic China
A Film Review
A glimpse of how two families live their lives recycling plastic waste in China.
Mountains May Depart
A Film Review
In the sphere of international film, Jia Zhangke, is a key player that’s putting China on the map. As a part of the “Sixth Generation” of film directors in China, this group has left behind the epic tales of mythical history and instead, focuses their efforts on capturing the raw realities of today’s China. For Jia, this means that films are more than just ways to tell stories. He carefully uses his craft as a vehicle to commentate on contemporary Chinese society.
Real Relations and Real Connections
A Reader Responds to the Autumn CSQ
[…] in-person ministry had become much more difficult in China because of restrictions by Chinese authorities, believers in mainland China have been able to operate online in relative freedom. As the old saying goes, when one door closes, a window opens. At the same time, it seems that only so much can happen without in-person […]
Dwarves Kingdom
A Film Review
A documentary exploring the lives of some of China's "little people" living and working at a theme park in Yunnan.
Social Media in China (Part 3)
Tips for Using Social Tools to Connect with Chinese Colleagues
[…] share. For example, while working in China, I led the creation of a WeChat community for the colleagues I frequently sat near in the office. We could freely share information within our group without sending it to all of people we were connected with on WeChat. Now that I am no longer living in […]
Nian
A Film Review
[…] to life. This is not the first time that Apple has partnered with Chinese filmmakers to celebrate Spring Festival. Others similar films include Daughter (2020), The Bucket (2019), and Three Minutes, (2018). iPhone promotion aside, I really appreciate that cultural influencers are taking the opportunity to remind us of (or introduce us to) Chinese culture and tradition. As we move […]
The China Hustle
A Film Review
A documentary about financial fraud, but one that requires discernment.
Mr. Zhang Believes
A Film Review
Traditionally, film festival pieces are known to push boundaries and be more artistically daring than your average blockbuster affair. But the space in which director Qiu Jiongjiong plays with his film Chi (癡) is one that even has the artistic community a bit stunned. The film, which has been alternately named Mr. Zhang Believes, has been described as a hybrid documentary—one that blends theatrical fiction and autobiography. Existing in relatively uncharted territory, hybrids bravely blur the lines of categorical boundaries.